Even after the show got over, they kept on giving statements about one another. Interview. I have a scar on my back that I have made work about before. By Enrico on 20. Instead, there are 300. While there is a central idea in each of them, the text is intentionally fragmented to reflect on the way ‘thought’ can travel, node to node, somewhat also mirroring the hyperlinked, hyper-present, online space. In South Asia, whether it is raising funding or gathering the infrastructure to make work, and to put on shows, you have to put in a lot of your own time and effort. But also working on the idea: is this craft, this crocheting, also art? Sensex @50,000: Why is it happening, and what next for investors? I spoke with the … 100 hand-drawn maps of my country, 2008–ongoing. Embedded Structures: An Interview with Shilpa Gupta . They do. So I am always playing with the idea of the location in the work. It is expanding now, but we have such a long way to go, and we all need to work for it. Another part references a past project, While I Sleep (2008), and links with the subversive movements which continue in the dark (in the Borderlands Series), that says: ‘Still They Know Not What We Dream’. June 2008 Currently, the galleries BodhiBerlin and Volker Diehl present the first monograph exhibition entitled “BlindStars StarsBlind” in Germany of the Mumbai-based artist Shilpa Gupta. Do artworks keep evolving, acquiring new meanings, even after leaving the artist’s studio? The Indian Express is now on Telegram. Shilpa’s clarification comes in the form of a long note that reads, “I am not following #Bigboss14 and have not given any interview regarding any … The actress, however, chose to pay no heed to Gupta. She added that she … Frayed Geographies and Fractured Selves: Shilpa Gupta’s Untitled (2014-15) Iftikhar Dadi My East is Your West, Essay, 2016. She wanders the streets or subway stations of Mumbai, where she lives and works, collecting found objects to bring back in – such as the evidence of her interactions with people, which take place as conversations, or the dispersal of material in a public space: for instance, in the work Blame (2002-4), Gupta distributes small bottles filled with a liquid the colour of blood, and brings them back into the gallery after they have passed through the hands of an entire train compartment. Shilpa Gupta, Someone Else – A library of 100 books written anonymously or under pseudonyms, 2011. Written by Vandana Kalra | Updated: September 6, 2020 6:26:42 am Shilpa Gupta. Shilpa Shetty is Proud of Sushmita Sen's Performance in Aarya, Calls Her 'Tigress' News18. In an exclusive interview with Lehren shilpa shinde finally opens up about her relationship with vikas gupta. Within the framework of the official collateral programme of events at this year’s Venice Biennale, Rashid Rana and Shilpa Gupta are bringing Pakistan and India together on the international art stage, opening up a dialogue on the notion of borders and nationhood. The word political makes me feel uncomfortable – it seems to distance what one does from the everyday, which is where my work stems from. We can’t help touch ourselves. Carbon tracings on paper, 76 x 56 cm (30 x 22 in). And it’s about inhabiting a space that is actually a shared space, and sort of collapsing the space between you and me – so that we are able to think together. Shilpa Gupta's work sometimes takes place outside of or leaves the gallery, and ranges from photographs and objects to websites and interactive video. It looks at the idea of the nation state as being, well, what we would like to imagine the nation state to be. Of course, here, the question of the public is so complicated. Then, a year later, I showed it in my own city (Mumbai). Do you want viewers to identify with those political lines? Interviews; Künstler & Kunstlexikon; Wir über uns; Newsletter; Kontakt. But I see how curators are interested in the idea of the language of a place. Shilpa Gupta. Subscribe Here https://lnkd.in/eFnXZzM for more updates.. #Interview #SaturdayStardom #sujayguptalive #searchglassfilms #Knovalt #Celebrity #CelebrityInterview #latenightshow #ChatShow #LiveShow #zoominterview These map lines have become so hard – and they have not always been that way: since they were first drawn, they have been porous and things have spilled outwards or inwards. In an interview with Targeted Oncology, Shilpa Gupta, MD, discussed the results of the BLASST-1 trial evaluating neoadjuvant nivolumab plus gemcitabine and cisplatin in patients with muscle-invasive bladder cancer undergoing a cystectomy. Shilpa Gupta @ Blandy-les-Tours Franck Barthelemy, Art Etc. 28/06/2020. Shilpa Gupta. Like many of her contemporaries, she considers the ‘web’ or internet an indispensable part of present day existence, and, consequentially, prefers various forms of cutting-edge technology as the vehicles for her interactions with the viewer. The biggest news stories of 2020. Of course, she gives the occasional interview, but not without struggle. In 2013, when it was shown on the streets in my neighbourhood, some onlookers even drew associations with the 2012 Delhi gang-rape case, very much on people’s mind then. Andrew Dickson. Hoardings, newspapers, schoolbooks, internet – we inhabit a highly mediated world. Sie untersucht Wahrnehmungsprozesse und die Übermittlung von Informationen. What is this? Shilpa Gupta. So you enter the space with these boxes and each box had a tag on it: “This object has been blessed by so-and-so such that it will bring peace and happiness where it stands crocheted by …” and their location. Shilpa Shinde reacts to Vikas Gupta DRAGGING her name in the show; says, ‘ Don’t even talk about him’ January 7, 2021 0. With the project Aar Paar (2002), a public art project between India and Pakistan, we just exchanged images and put them out on the streets. Shilpa Shinde and Vikas Gupta’s massive fight is not known to all. 1:08. It is, of course, more interesting when you are able to listen to many voices and forms. Dabei interessiert sie wie Menschen in ihrer Identität durch soziale Ungleichheit oder Machtpolitik geprägt werden. Here's Shilpa Gupta talking about her work: Voice of the poets from the prison - Shilpa Gupta. An interview with the installation artist Slipa Gupta. How integral is writing to artmaking for you? Gupta, talking about her ideas that steer her journey towards the realisation of artworks, in an interview with STIR, says, “Between the beginning, which could be a drawing, a scribble in a book margin, a note or even a conversation, the in-between process is constantly changing and rarely even the final format is fully known. Untitled, MS Gate which swings side to side and breaks the walls, 2009. I’d made the work after spending time in Srinagar. Gupta very often insists visitors also take work away from the gallery space itself: small crocheted boxes, or even, large soap bricks on which are embossed the word: THREAT (Threat, 2008-9). AR In an interview you said you didn’t want to be called a political artist but an artist of the everyday. SAT: Maybe it is a question of narrative, and works from the same location have a better potential for a narrative to tie them together? SAT: It is interesting that you mention the aspirational nature of the nation state boundary, as there does seem to be an “I” implicit in the work – and in a lot of your other work, too. Shilpa asserted how she doesn’t want to give any kind of footage to Vikas, as he might try to gain sympathy for this as well. In the mid- and late ’90s, my peers looked at my practice of experimental media, video and installation with discomfort. Mumbai artist Shilpa Gupta is currently turning heads at the Venice Biennale. Installation 300 x 130 x 340 cm (118 x 51 x 134 in). SPOTBOYE. Reza Abdoh. Abroad, you see a diverse group of viewers, of all ages, visit public art institutions, but here in South Asia you really see how it is a small audience. Skye Arundhati Thomas: When you began your practice 20 years ago, you were already asking questions about where politics and art meet. Shilpa Shinde Files Police Complaint Against CINTAA! Shilpa Shinde Interview after Winning Bigg Boss 11 | Shilpa Shinde WINS | SpotboyE. Wheredoiendandyoubegin will be shown next month at Fondazione Merz in Turin, Italy. And I was just amazed at how my work sat so seamlessly in the space. Interview. I was offered an amount for travel, but, instead, I used the money for making the work, and had 1,500 boxes crocheted by different women. Does it look like it is from India? jun 20, 2012 . All rights reserved. SAT: This is certainly a work that resisted the white cube, I think. The two prominent faces from the small screen were seen locking horns on national television when they were part of Bigg Boss 11. Interview : Rashid Rana and Shilpa Gupta on ‘My East in Your West’, their joint collateral event at Venice Biennale 2015 My East Is Your West, a collateral event of the Venice Biennale to be held in Palazzo Benzon, is a coming together of two contemporary artists – Shilpa Gupta and Rashid Rana – from India and Pakistan respectively. Your 2008–09 work, Threat, is on show at Copenhagen Contemporary. Shilpa Gupta: ‘The current moment shows we are closer than we imagined’ The Mumbai-based artist on displaying her work in a German railway station and what space means in a time of social distancing. Shilpa Gupta explores concepts like nationhood, identity, religion and the human condition. The reaction was not as strong as it was in Cuba, where the experience of straddling borderlines is far more intense. I find it strange when encountering her works in white-cube spaces: it is the meeting of opposing registers – something as static as the setting for works that are so porous, in which, frequently, the maps have to be bent to fit to the shape of the space. Magazine, Vol 02,No 02, Pg 106-108, 2010. How do you feel this dialogue has evolved since, given the recent trend towards showing and making “political work”, which often results in a superficial engagement with any real politics. Five skincare trends set to take 2021 by storm, Interview: Signal COO on why 'privacy is not a passing trend', Virat Kohli's midnight call that led to 'Mission Melbourne', Samsung Galaxy S21 Ultra review: The best gets better, Alphabet shuts Project Loon to beam internet from high-altitude balloons, As dragon fruit becomes 'Kamalam', netizens revise these popular phrases, Biden reverses another Trump legacy, unblocks Chrissy Teigen on @POTUS Twitter handle, 'Why was Gabbar punished?' However, in a rather short period, this changed, and many were incorporating similar ways of working. Noch nicht erschienene Titel. June 2008 Currently, the galleries BodhiBerlin and Volker Diehl present the first monograph exhibition entitled “BlindStars StarsBlind” in Germany of the Mumbai-based artist Shilpa Gupta. Perhaps you could speak about what you meant by “dispersal” when you were talking earlier about visitors taking away the crocheted boxes. Internationally acclaimed artists Rashid Rana and Shilpa Gupta talk about their collaboration at the 56th Venice Biennale. There is still space for other languages, and art is one of them. The fact is that it is very hard to group people together and, often enough, grouping work together just because of location doesn’t work. I suppose, the open-ended and interactive form of the works allows for such wide-ranging readings. So you’re constantly being someone else as you are reading. Gupta creates artwork using interactive video, websites, objects, photographs, sound and public performances to probe and examine subversively such themes as desire, religion, notions of security on the street and on the imagined border. “I am watching Bigg Boss 14. Studio. Now, looks like even after three years, Shilpa and Vikas are still dushmans. But when I walk in and see these “India” shows – there are often a lot of voices speaking in many different ways … Why don’t we ever have large-scale exhibitions with just 30 works? Yet it has become an identity that people want to stand by, and to really look through that lens. It begs the question of whether authenticity is even relevant when it is performed for a global gaze, particularly with what happens to identity politics or conversations around labour and migration.
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