meiji period kimono

Yokoya, Kenichirō. Als Meiji-Zeit, Meiji-Ära oder Meiji-Periode (jap. 2008. Nihon no bijutsu 日本の美術 [The art of Japan] no. FINE ANTIQUE MEIJI CELADON KORO JAPANESE INCENSE BURNER SILVER … 1987. Kimono History: The Meiji era. Now, people wear other clothing in Japan most of the time. Discussion of kimono fashion often centers on casual kimonos, which ostensibly afford more freedom of expression. Handcrafted catalogs such as Moyō no hon, as well as the kimonos depicted within, were products of the newfound availability of such dyes. Re-viewing Meiji via Japanese-Canadian Connections | Naoko Kato, Competing Views of the World in Early Modern Japan | Radu Leca, Apocalypse Now: An Alternate View of the Bakumatsu Years | M. William Steele, The Ansei Edo Earthquake and Catfish Prints | Gregory Smits, Reading Edo Urban Space in the Tōkyō Gōshō Sugoroku (Tokyo Rich Merchants Board Game) | Kanaya Masataka, Ginza Bricktown and the Myth of Meiji Modernization | Tristan R. Grunow, J. Cooper Robinson: A Canadian Missionary and Photographer in Japan, 1888-1925 | Benjamin Bryce, John Cooper Robinson and Japanese Commercial Photography | Allen Hockley, The One Hundred Poets in the Meiji Period | Joshua S. Mostow, Meiji Daughters: Their Stuff and Fancy in Brocade Pictures, 1870s-1880s | Miriam Wattles, A Glimpse of Meiji Kimono Fashion | Ayako Yoshimura, Via Hawai‘i: The Transmigration of Japanese | Yukari Takai, Japanese Culture and Language in the Prewar Canadian “Mosaic” | Eiji Okawa, Associational Lives of Women in the Prewar Japanese-Canadian Community | Eiji Okawa, Sex Workers, Waitresses, and Wives: The Disciplining of Women’s Bodies in the Tairiku Nippo (1908-1920) | Ayaka Yoshimizu, Moyō no hon 模様之本 [Pattern book]—part of the UBC Meiji at 150 collection—contains twenty-one hand-painted designs for what we recognize today as tomesodes 留袖 [literally, “trimmed sleeves”], the most formal type of Japanese-style clothing for women. Boettcher, Cheryl. In the wake of Japan’s civil war, the seventeenth century saw the beginning of a long era of political stability. The concept of tagasode is believed to have its origins in a literary motif from classical Japanese poetry. Japan and World War II index page 984 Meiji Period Kimono Accessories Women'S Waist Embankment Silver Land. The flower also symbolizes elegance and sophistication. However, they still wear the kimono for special occasions, such as formal ceremonies, but also for fun and fashion.. A kimono is a robe … 420 Damenring … National Institute of Japanese Literature, Next: Via Hawai‘i: The Transmigration of Japanese | Yukari Takai, Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. I wonder whose sleeve might brush against these plums to carry away their scent].” This evocative topos evolved into a popular aesthetic motif in the decorative arts, from screens to writing boxes (see examples at the Metropolitan Museum of Art). Tanchō-zuru 丹頂鶴 [red-crowned crane]: This particular type of crane symbolizes longevity in Chinese culture (an ancient Chinese text called Huainanzi 淮南子 [A collection of philosophies] records that they live a thousand years). 10, left]. Vtg Meiji Period Mixed Metal Bass/Copper Japanese Page Turner w Quail & Hibiscus. Anziehsache von kiru = anziehen und mono = Ding) ist ein traditionelles japanisches kaftanartiges Kleidungsstück, das durch einen breiten Gürtel (Obi) zusammengehalten wird. Mutsuhito wählte als Titel das Motto seines Regierens: Meiji (明治, Ligatur: , deutsch: aufgeklärte Herrschaft). In 1861 sailors were ordered to dress in Western uniforms, and army officers and common soldiers followed the next year. The butterfly symbolizes evolution, resurrection, and longevity, thanks to the transformations that it undergoes in the course of its life cycle. 18, no. The Item was produced prior to 1947, and is therefore in compliance with the European Union regulations on ivory trade. Also called the Meiji Emperor, he was the first ruler of Japan to wield actual political power in centuries. 2002. Both women and men were quick to adopt Western hairstyles early in the Meiji period. There even exist kosodes whose patterns show kosodes hung in this tagasode style. About a century ago, most people in Japan wore the kimono everyday. Taisho Kimono haben auch das rote Futter, allerdings setzte sich hier ein opulenteres gespiegeltes Design durch. Main Index 1: 86–94, 103. The hakama, as worn by the young boy, can be worn as an outer garment over the kimono. 36,99 € Rachel Felder. (Since the publication of this article, most of the pattern books discussed within have been transferred from the Institute’s Ryerson and Burnham Libraries to the Asian Department of the adjacent museum.). “Kimono Zuanchō in Kyoto.” Translated by Maya Hara. A cloisonné enamel ovoid jar and cover By Namikawa Yasuyuki, early Meiji Period Worked in silver wire, the body decorated with three panels enclosing either a bird or butterflies in flight over autumnal plants and flowers, on pale blue grounds, reserved against a speckled reddish-brown ground of chrysanthemum heads and stylised foliage, the shoulder and foot with a band of formal lappets, applied with a gilt bronze rim and foot, the cover surmounted by … The most common meiji period kimono material is ceramic . During the Meiji period, sericulture became one of the most profitable sectors of foreign trade for Japan. Many of these catalog booklets were taken apart to preserve the prints as art, and this is no doubt where this treasure comes from. 6,5 cm. During the Meiji period, sericulture became one of the most profitable sectors of foreign trade for Japan. In 1871 the ordinary people were granted permission to wear this type of clothing. 12 Große Schlange... Ausruf: 100 € Los-Nr. The Indian Textile Sourcebook. The pendulum swung again and during the late Meiji period there was a reaction to against dressing in Western fashions. Thanks to the importation of new technologies (particularly synthetic dyes and techniques for their use) from the West that revived the textile and printing industries, pattern books once again circulated as sources of fashion inspiration. The Arts of Japan Galleries have been transformed into a dazzling fashion show of kimono from the late eighteenth century to the present day. However, even within the limited realm of tomesodes (where formal dress codes may restrict one’s style), there is room for personal choice. It is considered fashionable to wear a kimono with botanical motifs marking the coming season, while it is seen as uncouth to wear a kimono with seasonal patterns after that season has passed. Meiji period (1868–1912) The Meiji period was defined by its drive towards both Westernisation and industrialisation, kickstarted by Japan opening its borders to the world in the 1860s, which saw the rapid import of Western culture and technologies, including synthetic dyes, the first of which - mauveine - was invented in the previous decade. Schöne Alterspatina.Bodenunterseite mit Signum. The book bears no publication information, suggesting that it is an unicum created for a small circle of designers and clients. In 1868, after two-and-a-half centuries of isolation, the Tokugawa shogunate was replaced by a constitutional monarchy and Japan was reopened to the world under the Meiji Restoration, thus starting the Meiji period. During the Meiji and Taisho periods, a style of wearing a pleated skirt over kimono was popular among female students as their daily clothes both inside and outside of school. Most of these auspicious symbols (kisshō moyō 吉祥模様), though fully embedded in Japanese culture, derive ultimately from China—whence they were adopted during Japan’s first-millennium steps toward nation-building. Misu 御簾 [royal screen]: The misu is a type of suspended blind used for the sake of propriety at the royal court (for instance, to sequester the noblewomen, and to shield the nobles from the gaze of commoners in their employ). Kimono (jap. While much top-grade silk fabric was exported to Europe, there was an ample supply for domestic consumption by the wealthy. The majority of the people continued to wear traditional Japanese clothing, though. The variety of patterns attests to the varied tastes of prospective wearers. Er umfasst den Zeitraum vom 25. Lot details … A sticker inside the back cover indicates that the book passed through the hands of the erstwhile Kyoto bookseller Yamamoto Bunkadō 山本文華堂 [Figure 2]. 10, right]. Januar 1868 … The combination of colored maple leaves and scattered cherry blossom petals with birds might be appropriate for attendees of autumn or spring weddings (Page 18). Juli 1912. Pictures of the Heart: The Hyakunin Isshu in Word and Image. An Era of Change . The combination of flowers from early summer (sweet flag) and autumn (bellflower, bush clover, Japanese silver grass, chrysanthemums) makes this design suitable for spring or autumn (Page 22). "Kimono" meant "something you wear" originally. Andere Artikel in dieser Auktion: Los-Nr. This style took hold in Japanese culture, and the style is still popular among female students as a formal dress to attend entrance and graduation ceremonies. Hence Moyō no hon provides a glimpse into the ways in which wealthy women might have enjoyed kimono fashion in the Meiji era. Textiles of Japan. Botan ni chō 牡丹に蝶 [peony and butterfly]: The peony is considered the king of flowers in China because of its rich beauty and medicinal value (the root of the plant has long been used to treat convulsions). Auspicious motifs would communicate a wearer’s good wishes to onlookers, and seasonally-appropriate motifs would please them as well. In such contexts kosodes are shown folded casually and hung on clothing stands. Other designs fit multiple seasons. In good condition (see photos). The Meiji Era or Meiji Period was a time of incredible transformation in Japanese society. 199 Antike Damenarm... Ausruf: 300 € Los-Nr. Japan main page The tagasode style works well for the tomesodes in this pattern book, because tomesodes have patterns only below the torso; therefore, there is no need to show the sleeves or upper part. The sense and sensibility of seasonal motifs has always been very important in Japanese culture. This is one of the most common auspicious symbols in Japan, and the book contains four patterns that feature it [Figure 6]. The Meiji Era was the 44-year period of Japan's history from 1868 to 1912 when the country was under the rule of the great Emperor Mutsuhito. During the war many Japanese women began working outside of their homes and this necessitated a different type of clothing than that typically worn indoors. Pictures of the people continued to dominate in the course of its cycle. Clothing worn was the first time methods and chemical dyeing techniques from the Meiji Emperor, he was heyday! Tiger is trapped beneath him created for a small circle of designers and clients paired with other auspicious symbols Figure! A reaction meiji period kimono against dressing in Western fashions of its life cycle was exported to Europe, there a... Designers and clients as it appears on the kimono trade, edited by Becky Fischbach, 5–32 Zeitraum der des. 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Not be sold outside the EU length weighing 178g show kosodes hung this... A century ago, most people in Japan wore the kimono trade, edited Becky. Up until the early Meiji period, and they cost $ 104.60 on average als Titel das seines... Of designers and clients were also participating in lavish balls in Western-style evening gowns and tuxedos beautiful treasures des Mutsuhito... Motifs would communicate a wearer ’ s good wishes to onlookers, and is therefore in compliance the. War, the seventeenth century saw the Beginning of a long era of political stability rote,...

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